Tree and glass

The brief

The photographer had a real dusk still and two minutes of handheld clips. The agent’s last film had been a two-minute drone reel. They did not want another one.

What changed

The still was graded, not converted. The film was cut to sixty seconds: the tree, the pavilion, the kitchen seen through the glass, the yard. No drone. Music under the picture, titles only at the end.

What was delivered

One still set, a master film, a web file, and a fifteen-second vertical excerpt.